Comparative Qualities of Precious Metals at KJD: |
| Alloy |
Composition |
Specific Gravity |
Melting Temp |
Color |
Vicker's Hardness |
950 Platinum |
95% Pt, 5% Ru |
21.45 |
3235˚ F |
light cool gray |
130 |
950 Palladium |
95% Pd |
11.84 |
2500˚ F |
light cool gray |
115 |
14k pd white gold |
58.5% Au, +Pd |
13.7 |
2030˚ F |
medium gray |
150 |
| 14k precise white gold |
58.5% Au, +Ni |
|
1780˚ F |
light gray |
|
| 18k yellow gold |
75% Au |
15.6 |
1580˚ F |
rich yellow |
125 |
| 18k rose gold |
75% Au, +Cu |
15.5 |
1630˚ F |
copper |
195 |
| 14k rose gold |
58.5% Au, +Cu |
13.4 |
1715˚ F |
copper |
125 |
| 10k green gold |
41.6% Au, +Ag |
11.7 |
1480˚ F |
light green yellow |
170 |
| Sterling Silver |
92.5% Ag, 7.5% Cu |
10.36 |
1640˚ F |
white |
75 |
| Platinum Sterling |
92.5% Ag, 3.5% Pt, + |
10.6 |
1740˚ F |
white |
75 |
| Cobalt Chrome |
67% Co, 27% Cr, and 6% Mo |
|
|
medium gray |
|
| 316L Stainless Steel |
60% Fe, 18% Cr, 14% Ni |
|
|
medium gray |
|
Titanium |
100% Ti |
4.5 |
3272 |
medium-dark gray |
|
Alloy
An alloy is a combination of different metals that are melted and blended together to create a new homogenous metal with a uniform color and a new melting temperature (different from the parent metals). New alloys are created to achieve more desireable properties such as hardness and ductility.
Karat Gold
Pure, 100% fine gold
is 24 karat. This is a rich, deep golden color that has been used
for jewelry historically but is too soft for general purpose jewelry. Here are a few notes about "karat gold":
- 18 karat gold means that the metal is 18 parts out of 24 pure
gold, or in other words, 75% pure gold. The other 6 parts (25%) consists of an alloy of other metals. 18 karat gold is the standard
for European jewelry.
- 14 karat gold is 14 parts gold, or 58.5%
pure gold. It is the standard for American jewelry.
- In addition to the proportion of pure gold, the term "karat" is used to signify solid gold alloys versus gold platings or gold-filled pieces of jewelry.
- Interestingly, each country has a minimum "karatage" for gold alloys that may be legally sold as gold. In the United Sates, the minimum is 10 karat gold. In France and Italy, for example, the minimum is 18 karat gold.
Colored Gold
The color of gold
is created by the combination of pure gold and the other metals that it is alloyed with,
or additional metal that it is mixed with. The lower the karat of colored gold, the higher the contrast of color. Black hills gold is typically 10 karat gold, or approximately 42% gold and 58% other metal. Here are a few examples of the gold alloys we typically work with along with color assessments:
- 18 karat yellow gold - rich yellow color
- 18 karat rose gold - true rose color - is 18 parts (75%) pure gold and the rest is mostly copper. Finicky metal that is not good for jewelry that requires torch work.
- 14 karat rose gold - true rose color - is 14 parts fine gold and 10 parts copper and silver. It is the rich red copper combined with fine gold that creates a warm rosy tone.
- 14 karat palladium white gold - warm, medium brownish gray color is 14 parts gold
and 10 parts of an alloy that consists partly of palladium. This is a nickel free alloy.
- 14 karat high palladium white gold - cool, medium darker gray color is 14 parts gold and 10 parts of an alloy that consists mostly of palladium. This is a nickel free alloy.
- 14 karat precise white gold - light, slightly warm gray color - 14 parts pure gold and 10 parts of an alloy of nickel and other metals.
- 10 karat green gold - very pale yellowish sage color - is 10 parts pure gold and 14 parts of a mixture containing primarily silver.
Mokume-gane
Mokume Gane is a technique of Japanese origin in which layers of alternating colors of precious metals are fused, forged and patterned to create swirling images of color in a sheet of metal. Mokume (wood eye) Gane (metal) is derived from the ancient Japanese sword making technique wherein layers of mild steel and carbon steel were forged together to create blades of great strength and durability. A fine w
oodgrain pattern on a blade is the tell-tale sign of Damascus steel.
The first recorded use of mokume gane was by Denbei Shoami (1651-1728) who lived and worked in Japan. Shoami adapted the principles of forge-welded Damascus steel to create mokume gane. Advanced sword-making techniques used in Japan at the time were pivotal in the development of mokume gane, because the art of sword making was so accomplished that it directly influenced all forms of metalwork. The importance placed on swords in feudal Japan and the influence of sword-makers on Japanese art and technology is not unlike the leading role the aerospace industry has in driving the technological advances today. Swords were considered highly utilitarian and highly decorative, and the finest artists and metalworkers of the day worked side by side to create swords of great beauty and remarkable functionality. Master-apprentice relationships allowed for extensive knowledge of metallurgy to be passed down and expanded. Materials were readily available, and colored metal alloys were already in use at the time.
To achieve a successful lamination of a mokume billet using the original process required a highly skilled smith with a great deal of experience. The traditional materials used were relatively soft precious metals and alloys - gold, copper, silver, shakudo, shibuichi, and kuromido - which would form liquid phase diffusion bonds with one another without completely melting. After the metal sheets were stacked and carefully heated, the solid billet of simple stripes could be forged and carved to increase the pattern's complexity.
The modernized process typically uses a controlled atmosphere in a controlled, high-temperature furnace. Mechanical aids such as a hydraulic press or torque plates (bolted clamps) are also commonly used to apply compressive force on the billet during lamination and provide for the development of lower temperature solid-state diffusion between the layers.
Contemporary metalsmiths have rediscovered mokume gane as an expressive material with a subtle palette of precious metal colors. Due to the labor-intensive nature of fine mokume jewelry, it will remain an uncommon jewelry technique, avoiding association with mass-produced commercial jewelry.
Lisa Krikawa is an award-winning mokume gane artist, and is recognized world wide as one of the leading mokume ring makers. With clients from Australia through the U.K. to Canada and all across the 50 United States, Krikawa has quite singularly nailed the mokume-gane bridal market with her client-inspired, co-created, one-of-a-kind masterpieces.
References:
Pijanowski, H.S. and Pijanowski, G.M. (2001) Wood Grained Metal: Mokume-Gane, http://www.silversmithing.com/1mokume.htm
Binnion, J.E. and Chaix, B. (2002) Old Process, New Technology: Modern Mokume Gane http://www.mokume-gane.com/Papers/SantaFePaper.pdf
Midget, Steve (2000) Mokume Gane: A Comprehensive Study. North Carolina: Earthshine Press
Please see our Wedding Bands page for a sampling of the types of mokume-gane we use.
Shakudo
Shakudo is a Japanese alloy made of 96% copper and 4% fine gold. It has a natural dark patina and, if worn away by sand or chemicals, it will naturally re-darken through contact with water, air, the skin, and chemicals such as ammonia. While this alloy is currently found in some mokume rings, it is an unstable metal, and is not recommended to be worn in contact with the skin. The natural salts in the skin can etch away the metal over time.
White Gold
White gold is pure gold that has been alloyed with nickel and/or palladium and other
metals to acheive a "whiteness" of the metal. White gold is a gray metal with a wam hue when alloyed with nickel (ring D). This metal can be brittle and problematic when setting stones or resizing rings. When 14k white gold is alloyed with palladium, it is nickle-free (great for people with sensitivities) but it is a warm, light brown color (ring B). For a slightly darker, cooler gray hue, 14k white gold can be alloyed with a high percentage of palladium (ring C); however, this makes for a softer metal. Commercial white gold jewelry is commonly nickle based and rhodium plated (see below). Our standard white gold is 14k palladium white gold (B). It is not brittle, works well for setting stones, is nickle-free, and is highly unlikely to crack during sizing operations. We rhodium plate only upon request.
Rhodium Plating of White Gold
Most commerical white gold jewelry is plated
with rhodium, a platinum group metal with a
bright white color. White gold is warmer and darker than
the
rhodium, so as it wears the rhodium scratches off, showing the darker color underneath. Sometimes the white gold under the plating is slightly to very yellowish in color. We do not typically rhodium plate our jewelry. We can rhodium plate if the bright white color is desired, however, we prefer to use palladium to white gold.
Platinum
Why choose platinum?
Platinum is considered to be the "most precious" of the precious
metals. Platinum is your metal of choice, when only the best will
do. Rarer than gold, stronger and more enduring - platinum is
also the choice of jewelry designers for fine heirloom quality
jewelry. Platinum is always a cold light gray, and will retain
its polish longer. Also, platinum
does not wear down as gold does, so, over the course of a lifetime,
it will remain virtually the same weight and size. It is much
better to set stones in platinum for that reason.
Platinum History
Platinum
evokes the future through the cool gray color and technological
uses, but it also recalls the past. In the 1890's the world renowned
Louis Cartier introduced the metal as a setting, and made it part
of his most exquisite creations for kings and millionaires. During
the first 40 years of the twentieth century, platinum was the
preferred metal for wedding and engagement rings and was almost
always used to enhance the beauty of diamonds and other gemstones.
However, for the duration of World War II, platinum was declared
a strategic material and its use in most non-military applications
was prohibited.
Platinum Statistics
Platinum is quite simply the ultimate in precious metals.
- Platinum jewelry’s purity is generally at the 90 to 95% level and it is usually alloyed with other rare platinum group metals. This means you are getting more of the precious metal you are paying for and avoiding low value base metals that are commonly used in gold alloys.
- Platinum is 30 times more rare than gold.
- Platinum is durable. All precious metals will scratch, however, when platinum scratches it tends to displace rather than lose metal weight. This means your platinum jewelry will outlast other precious metal jewelry and hold stones in place more securely.

- Platinum is naturally white and will not tarnish. White gold is achieved by “bleaching” yellow gold with other elements such as nickel and palladium. This process of whitening is not durable and thus yellowing and repeated rhodium plating are key disadvantages of white gold alloys.
- Platinum is one of the densest elements on earth, only exceeded by osmium and iridium — two other platinum group metals. One cubic
foot weighs around 1,330 pounds. This translates into a very rich and weighty feel in jewelry pieces that can only be experienced with platinum.
-
Due to the unusual characteristics of this metal, a platinumsmith must have a different set of tools than a goldsmith. For instance, platinum melts at 3225 degrees fahrenheit, compared to fine gold which melts at 1945.
Palladium